WEEK (Start from): 27th Nov 2017
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TASKS AND ESTIMATE OF TIME REQUIRED PER TASK
Monday: Group production meeting (45mins). Finish
miniature bar section of the model box (60mins). Finish painting all sections
of the miniature bar area and bar stalls (45mins). Cover all pieces of the
model box items in PVA glue (120mins).
Tuesday: Attach last remaining internal mirror
section designs to mirror frames (60mins). Piece together model box (45mins).
Wednesday: Photoshop tutorial session (150mins). Cut
and glue acetate to mirror sections (45mins). Finished attaching walls to
model box (30mins).
Thursday: Sourced materials to build curtain frame
(30mins). Build and test curtain frame (30mins). Test bed sheet over curtain
frame (10mins). Create last section of set bar top, including painting and
varnishing (40mins + drying times).
Friday: Rest day.
Saturday: Practice performance routine (45mins).
Sunday: Rest day.
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OUTCOMES:
What worked?
The PVA covering of the
items assisted in the construction of each piece, making it more durable and
providing extra strength. It also resulted in a semi-gloss appearance which
added to the aesthetic style of the items in the model box.
What didn’t work?
The technique that was
going to be utilized to create a dark area behind the mirror areas was
ineffective, and wouldn’t produce the required effect. The sheet used, also,
wasn’t large enough to cover the frame that was built for it, and allowed too
much light through to create a dark enough area.
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CONCLUSION:
What have you learned from these processes?
Coating items in PVA adds
to their durability, and creates a shiny gloss appearance, which produces an
intricate effect that can be used for various items.
How will this help you develop your design?
The versatility means that
it can be used for various techniques, which improve both the aesthetic
appearances of a piece and how they are constructed. It will help to secure
many different materials together with a strong bond.
Did you manage your time well? If not what
would you change?
All the construct tasks
were completed by the end of the week, meaning that the piece was ready to be
transported and performed after tech and dress rehearsals.
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Showing posts with label Time Management Sheet. Show all posts
Showing posts with label Time Management Sheet. Show all posts
Time Management Sheet - Week 04
Time Management Sheet - Week 03
WEEK (Start from): 20th Nov 2017
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TASKS AND ESTIMATE OF TIME REQUIRED PER TASK
Monday: Group Production Meeting (45mins). Improve
1/10th scale bar stalls (90mins). Paint additional layers onto the
miniature bar pieces (20mins). Experiment with different materials for the
rounded end of the miniature bar (60mins). Sculpt miniature rounded bar end
for model box and fire in oven (20mins sculpting, 20mins in oven + 30mins
cooling time). Paint first layer on molded sculpey (10mins + drying time).
Tuesday: paint second layer on molded sculpey (10mins
+ drying time). Cut out wood panels for miniature mirror section of 1/10th
scale bar (10mins). Additional layers of paint to miniature bar sections
(20mins + drying time). Assist in making miniature chairs for model box
(30mins). Paint final base layer on molded sculpey clay 10mins + drying
time).
Wednesday: Photoshop tutorial session (150mins). Sketch
and paint designs on miniature bar sections (30mins + drying time). Cut and
glue bottle shelf sections together (30mins). Paint shelf sections (20mins +
drying time).
Thursday: Full performance test runs, re-evaluation
and improvements (All day).
Friday: source materials and props for performance
(120mins).
Saturday: Finnish writing contextual studies essay
(All day).
Sunday: Rest day.
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OUTCOMES:
What worked?
The wood and sculpey
segments of the miniature bar dried rather rapidly, allowing multiple layers
to be applied in short amounts of time.
What didn’t work?
Attempting to make the
sculpey retain it shape was rather complicated, as it would try to resort to
a flat shape, rather than the curvature we required.
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CONCLUSION:
What have you learned from these processes?
It was rapidly discovered
that particular materials can be utilized in various ways, producing
differing results, some of which were helpful, but also allowed the
realization of their limitations.
How will this help you develop your design?
This creates the
understanding that each material should be used in particular ways, and that
they each create different results and effects, meaning that when require a
particular appearance for an item, there are many ways to achieve the desired
effect.
Did you manage your time well? If not what
would you change?
A lot of the major aspects
of the piece were near completion by
the end of the week, which allowed for experimentation with
appearances and techniques which would prove to be highly effective and
invaluable for the end result.
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Time Management Sheet - Week 02
WEEK (Start from): 13th Nov 2017
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TASKS AND ESTIMATE OF TIME REQUIRED PER TASK
Monday: Collected and sourced materials (30mins).
Attached supports to mirror frames (30mins). Attached and tested acetate
sheets on mirror sections (30mins). Cut out internal mirror designs (45mins).
Glue internal mirror designs together (30mins).
Tuesday: Attached balsa wood strips to A1 paper
(10mins). Paint balsa wood strips and leave to dry (20mins + Dry time). Experiment
with the internal mirror designs and attach gold paper to them (45mins). Test
acetate with frame design (20mins).
Wednesday: Source equipment and materials (30mins).
Cover balsa wood strips with varnish (15mins). Cut out and attach supports to
mirror frames (20mins).
Thursday: Contextual studies group presentation
(150mins). Measure and design, before cutting out, miniature bar sections
(1/10th scale) for the model box (60 mins).
Friday: Essay writing (All day).
Saturday: Source materials (30mins). Paint front of
miniature bar for model box (20mins). Experiment and create five 1/10th
scale miniature bar stalls for model box (150mins).
Sunday: Rest day.
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OUTCOMES:
What worked?
Many of the tasks, during the
week, were achieved without difficulties occurring. The acetate, used as the
mirror’s surface, was highly effective at reflecting the light as well as
images of the items placed in front of it.
What didn’t work?
Although the acetate was
really reflective, the effect that was created when attempting to pass items
through was undesired, as it proved incapable of allowing smooth transitions
of the items.
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CONCLUSION:
What have you learned from these processes?
It became clear that
certain aspects of the project would have to be re-evaluated on occasion and
resolved to achieve the fluid and comprehensible effects. Using cameras, with
monochrome filters, became invaluable, as they revealed how different the
items appeared through a lens, compared to the naked eye.
How will this help you develop your design?
It has forced us to use our
cameras, whether on phones or using SLR cameras, in order to discover how the
imagery will appear, and if it suits the desired appearances. This has will
help us to improve the visual aesthetic of the final piece.
Did you manage your time well? If not what
would you change?
Many of the tasks required
for the full scale set area were completed during this week, which allowed us
to begin focusing our attention on the model box. The early experiments also
allowed us to notice any imperfections, or aspects that were unsuited to the
piece, which meant we would be able to alter them and resolve the scenarios
the ease.
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Time Management Sheet - Week 01
WEEK (Start from): 6th Nov 2017
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TASKS AND ESTIMATE OF TIME REQUIRED PER TASK
Monday: Introduction into the project (60mins),
group planning and organizing of the project (120mins), collect and source
materials (60mins).
Tuesday: Continue planning and organizing the project
(45mins), source materials to begin constructing for 2min section of the
performance (90mins), experiment with materials and begin constructing group
designs (120mins), paint balsa strips and stick them to paper base to make
bar top and allow to dry (20mins + Drying time).
Wednesday: Shop for materials and props (120mins), Varnish
painted balsa strips (10mins + Drying time), cut out mirror area of cardboard
(10mins), set-up scenery for the 2min morning performance (5mins).
Thursday: Set-up and perform 2min section of piece
(10mins), piece reflection and feedback (30mins), source materials (30mins)
and begin constructing items for final 8min performance piece.
Friday: Visit to V&A Museum, and Twistov
performance.
Saturday: Rest day
Sunday: Rest day
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OUTCOMES:
What worked?
The final appearance of the
balsa wood strips, once painted and varnished, looked very authentic, as if
constructed from sturdier types of wood.
What didn’t work?
The original frame for the
mirror, constructed from card wasn’t a strong material, and when covered in
paint bowed out of shape causing the structure to collapse.
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CONCLUSION:
What have you learned from these processes?
Firstly, cardboard is
useful for certain aspects of construction, but will bow out of shape when
painted or wet. It can also become damaged very easily and misshapen. We also
learnt that many things have the potential to have mishaps that will need
resolving.
How will this help you develop your design?
We have decided to use
stronger, more durable materials that are unlikely to break easily and will
not bow when applied with wet paint. This will ensure a durable performance
area which can be used in a more demanding way and doesn’t require overly
delicate handling.
Did you manage your time well? If not what
would you change?
The time to taken to source
the materials and create the items required for the performance was managed
adequately, even though there was a setback on the morning of the performance
which had to be resolved.
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